Elaine Cassidy was absolutely fine in the role. Lucy plays it regularly, expressing her strongest emotions through her playing. Honeychurch looks over her letter, in which she tells Mrs Lucy is moved but remains firm. Cecil is pretentious and despises all the country people of Lucy's town, finding them unsophisticated and coarse in comparison to the affluent London society he is used to.
Charlotte calls George a cad a bad manand Lucy says that Cecil told her there are two kinds of cads—conscious and subconscious.
Emerson who pleads with her to help his son to stop brooding: Lucy is surprised and shocked to see the furniture being removed from the house. The seclusion of the frame with the three men surrounded by bushes and trees is contrasted with the long-distance shot of Cecil, Mrs. The scene, which seems to be a direct smash and grab from Joe Wright's Pride and Prejudice, where Elizabeth Bennet finally confronts her erotic nature and her attraction to Darcy while gazing at naked statues, is intended to signify Lucy's own sensual awakening, which she then markedly rejects when she refuses to buy a postcard depicting the familiar naked form of Michelangelo's 'David'.
A few days later, Cecil and Lucy attend a garden party at which Cecil finds the local population highly provincial. As it stands, George's death seems strangely tacked-on and unnecessarily gloomy, even though, it is obvious that Davies and Nicholas Renton the tele-film's director are making a clear statement about the transient nature of the Edwardian fin-de-siecle period - the bucolic calm before the ghastly storm which was soon to embroil Europe, destroying life after life, cruelly ending a multiplicity of love affairs.
England indoors is often in shadow, this sometimes varies depending on the scene. He offers to act as an intermediary and the rooms are exchanged without further ado.
The hero falls in love immediately but the heroine will not allow herself to do so. An avid reader, he espouses liberal values, and also plays a role in helping Lucy to surrender herself to her true desires even if it means violating social taboos.
Unfortunately, this occurs at the same time as the ladies are taking their afternoon walk in the woods and they see the men in all their naked glory! The close-up camera shot of George and Lucy, framed by the open window, against the backdrop of Florence in the distance, captures their love for each other.
The film placed greater emphasis, it seemed, on the aesthetic qualities of Forster's work - both in a filmic, visual sense and also through its interpretation of the novel, stressing the difference between those characters that languished indoors - by extension more inward-looking, bookish and repressed - and those who ventured more outdoors, indicating a more forward, progressive nature, thrusting towards modernity rather than the past and tradition.
This is an important distinction to make, because Lucy is concerned by her attraction to George, in large part because, in comparison to herself and her class, he is 'common' and works as a clerk for the railways.
His wife is dead. Charlotte represents the repressive polite society of the Edwardians that holds Lucy back from living a true and authentic life.
She is outspoken and clever, but also abrasive. The close-up camera shots which move rapidly from fresco to fresco illustrates their disproportion to real life figures. Honeychurch looks over her letter, in which she tells Mrs As far as Lucy knows, she loves Cecil and is only made nervous by George.
The two women leave for Rome the next day before Lucy is able to say goodbye to George. They are discussing Lucy and a man named Cecil Vyse, who is about to propose to Lucy for the third time.
Eager, is also easily horrified at what he considers to be a blatant show of sexuality when he sees the young Italian driver embracing his girlfriend. He sees Lucy not for herself but as an abstract vision that he has hung upon her.
Cecil is depicted as an insufferable snob, who sneers at everything that does not match his standards. An obedient crowd of tourists rotate their heads in the required direction when their guide indicates an important feature of its architecture.Back in England, Lucy accepts a proposal of marriage from Mr.
Cecil Vyse, who is a rather pompous, arrogant snob. By a chance arrangement, the Emersons take a house in the area, close to the Honeychurch residence.
A Room With a View study guide contains a biography of E.M. Forster, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. During the last part of the novel A Room With A View by E. M. Forster, what Lucy Honeychurch thought was her love for Cecil, her fiance, gradually changes to.
Cecil Vyse Character Timeline in A Room with a View The timeline below shows where the character Cecil Vyse appears in A Room with a View. The colored dots and icons indicate which themes are associated with that appearance.
For me, the greatest absence was Daniel Day-Lewis as Cecil Vyse - one of my favourite comic acting performances of all time. Sure, he was a parodic figure of fun, and Laurence Fox's latest version offers, arguably, more of a genuine romantic choice for Lucy. Vyse, Cecil has just asked my permission about it, and I should be delighted, if Lucy wishes it.
I said to Cecil, 'Take her or leave her; it's no business of mine. The bother is this: I have put my foot in it with Cecil most awfully. View in context.
This was Cecil James Barker, of Hales Lodge, Hampstead.Download